Current Issue: Fall 2015 (Issue 11)

Samuel ANDREYEV: Assured And Permanent Catastrophe: Notes On Composing, 2003-2012

Gregory Kyle KLUG: Parallelism and Musical Meaning

Ian PACE: Positions, Methodologies and Aesthetics in the Published Discourse about Brian Ferneyhough: A Critical Study

Larson POWELL: Historicist Modernism? Figuration and Form in Hartmann's Concerto for Viola, Piano, Wind Instruments, and Percussion (1954-6)

Lisa CELLA: James Erber's Traces Cycle for Solo flute (review)

Colin HOLTER: Miranda Cuckson's Melting the Darkness (review)

Notes on Contributing Authors

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Issue 11

Dialogue